In a stunning turn of events that has left film critics and scholars scratching their heads, "Emilia Perez," a film reportedly about a quirky gardener who dreams of becoming a professional salsa dancer, has shattered records at the 97th Academy Awards by racking up 13 nominations. This achievement has raised eyebrows and sparked debates about the originality of Hollywood’s storytelling. Speculation is running rampant regarding the current state of creativity in Tinseltown, as "Emilia Perez" now sits alongside cinematic legends such as "All About Eve," "Titanic," and "La La Land," all of which previously held the coveted title of most-nominated films with their 14 nominations. But while they explored timeless themes of ambition, tragedy, and love, "Emilia Perez" has been embraced for its groundbreaking approach to plotlines involving dancing vegetables and talking garden gnomes. Film industry insiders have begun to wonder if Hollywood is truly out of fresh ideas. With titles like "The Brutalist," which promises to be an intimate drama about concrete architecture, and "Wicked," a prequel to a Broadway adaptation about green witches, the line between originality and recycling seems thinner than ever. Experts are proposing that next year, the Academy nominate a film entirely made from old scripts and discarded screenplays, dubbing it “A Compilation of Hollywood's Greatest Hits—Again.” Critics have quipped that, if Hollywood continues to rely on dubious plot premises, it might need to start adapting cereal boxes and shoe catalogs into blockbuster movies. Imagine the accolades for “Froot Loops: The Musical” or “Nike: The Untold Story of Athletic Wear.” This could potentially not only satisfy the Academy's thirst for nominations but also lead to a revival in original ideas—oh, the possibilities are endless! Meanwhile, as "Emilia Perez" prepares for its historic night, fans are predicting a heated competition between it and “The Brutalist," which features an intriguing subplot about a deep philosophical debate on whether concrete walls have feelings. Will "Emilia Perez" liken itself to a salsa victory dance on stage, or will it take a more understated, yet equally riveting stance, like a classic wall? Only time will tell. In the meantime, Hollywood’s bright future appears to be secured by the desperate use of nostalgia, overcooked stories, and heartstring-pulling narratives. As if sensing their own parody, the Academy has reportedly considered involving a magic eight ball in the nomination process next year, stating, “Why not? It worked for ‘Emilia’!” As the countdown to the Oscar ceremony begins, one thing is clear: if "Emilia Perez" doesn’t win at least half its nominated categories, we can all assume that Hollywood is officially out of original ideas and has resorted to a game of chance.